Martin
Cloonan
Director
Ph.D, M.A., B.A.
Areas of expertise
The political economy and history of the music industries
live music, popular music policy, freedom of expression, popular music.
Biography
Professor Martin Cloonan is Director of the Turku Institute for Advanced Studies (TIAS).
Before joining TIAS Martin was Professor of Popular Music Politics at the University of Glasgow.
Martin also chairs the anti-censorship NGO, Freemuse (www.freemuse,org) and managed the Glasgow-based band Zoey Van Goey (www.zoeyvangoey.com).
For a list ot publications and see
Research
My research concerns the political economy of the music industries.
Publications
The history of live music in Britain, 1968-1984: From Hyde Park to the Hacienda (2019)
(C1 Kustannettu tieteellinen erillisteos)No Future: Punk, Politics and British Youth Culture, 1976-1984 (2019)
Popular Music
(B1 Kirjoitus tieteellisessä aikakauslehdessä)
Listening to War: Sound, Music, Trauma, and Survival in Wartime Iraq. By J. Martin Daughtry. New York, NY: Oxford University Press, 2015. 360 pp. ISBN 978-0-19-936149-6 - My Music My War: The Listening Habits of U.S. Troops in Ira and Afghanistan. Middletown, CT: Wesleyan University Press, 2016. 240 pp. ISBN 978-0-1095-7600-2 (2018)
Popular Music
(B1 Kirjoitus tieteellisessä aikakauslehdessä)
On Becoming a Rock Musician. By H. Stith Bennett. New York: Columbia University Press, 2017, 2nd edn. 263 pp. ISBN 978-0-231-18285-0 (2018)
Popular Music
(B1 Kirjoitus tieteellisessä aikakauslehdessä)
Going spare? Concert tickets, touting and cultural value (2018)
International Journal of Cultural Policy
(A1 Alkuperäisartikkeli tieteellisessä aikakauslehdessä)
Autumn of Love: how the Swinging Sixties and the Counter-culture came to Portsmouth By Dave Allen . Bury: Mayhill, 2017. 294 pp. ISBN 9781905597758. Book review (2018)
Popular Music
(B1 Kirjoitus tieteellisessä aikakauslehdessä)
Popular Music and the Politics of Novelty. By Pete Dale . London: Bloomsbury, 2016. 225 pp. ISBN 978-1-5013-0703-4. (2017)
Popular Music
(B1 Kirjoitus tieteellisessä aikakauslehdessä)
The Arena Concert: Music, Media and Mass Entertainment. Edited by Robert Edgar , Kirsty Fairclough-Isaacs , Benjamin Halligan and Nicola Spelman . London: Bloomsbury, 2015. 326 pp. ISBN 978-1-6289-2555-5 (2017)
Popular Music
(B1 Kirjoitus tieteellisessä aikakauslehdessä)
Staying One Step Ahead?: The self-identity of Japanese concert promoters (2017)
(A3 Kirjan tai muun kokoomateoksen osa)Thatcherism and Popular Music: Towards a policy perspective (2017)
Journal of European Popular Culture
(A1 Alkuperäisartikkeli tieteellisessä aikakauslehdessä)